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Plight Featured, Reviews Film Threat

Plight Featured, Reviews Writer and director M.J. Alhabib Jr. keeps the tension high from start to finish with his thriller “Plight.” Joe Powell (Matthew J. Plumb) seeks justice for his son J.J. (Max Miller) and his soon-to-be stepdaughter Veronica (Grace Kohler).

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Plight Featured, Reviews Film Threat

Writer and director M.J. Alhabib Jr. keeps the tension high from start to finish with his thriller “Plight.” Joe Powell (Matthew J. Plumb) seeks justice for his son J.J. (Max Miller) and his soon-to-be stepdaughter Veronica (Grace Kohler). They were the victims of a hit-and-run incident caused by J.J. Died. And Veronica was seriously injured, causing her to miscarry. The car’s owner, Patrick Gerrard (Ryan Manuel), is a wealthy man with many connections. He said the couple had been robbed and the suspect was driving when they were hit. Joe is unconvinced and believes Gerrard was drunk and lost control of the car, prompting the police to investigate further. To prove himself right, Joe begins tailing Gerard and learns that Gerard has a mistress named Mia (Lorraine May Isbell). She was in the car when the accident happened. He summarizes the events of that night and asks Veronica’s sister Valentina (Ada Pasternak) to help her take down Patrick with her vigilante efforts. As Joe’s revenge begins, the ultimate question becomes who has the moral high ground and who will ultimately pay for his various sins.

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It’s hard to root for Joe. He has no actual proof that Gerard killed his son, but rather rakes in people with impunity to exact his revenge. Joe is an angry man full of anger and violence, and he doesn’t care who he hurts in order to achieve the marginal justice he believes he deserves. Gerard is a weasel, a campus tycoon who believes his wealth protects him from the consequences of his actions, including his relationship with Mia. The women in the story primarily serve as vessels for male aggression, and the consequences range from a stay in a hospital bed to death. “Plight” is a fast-paced, busy film overall. Solid performances from Plumb, Pasternak, and Manuel move the melodrama forward with intensity. The film is shot mostly in the dark, giving it an authentic noir feel. The use of piano to convey the intent of each scene is excessive, creating an atmosphere of over-the-top melodrama. But here are the real economics of exhibitions. Familiar metaphors serve as shortcuts to avoid redundant explanations. In other words, police officers are corrupt and incompetent. Rich people are the worst. Men are the worst. It is moral and just to take revenge at any cost. Past trauma justifies present violence.

Al-Habib funded Preite, at least in part, through crowdfunding, making good use of the budget at his disposal. All the money will be displayed on the screen. He has been working in the film world for a long time and knows how to make do with a small budget.

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1 Comment

1 Comment

  1. joseph

    January 18, 2024 at 1:00 am

    This is fantastic! Keep up the good work. ❤️

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