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Brie Larson returns in mixed-bag sequel

Brie Larson returns It’s no secret these days that Marvel is going through something of a crisis behind the scenes, as they overhaul their approach to continuity-driven storytelling in their TV projects and struggle to lure audiences back to theaters in a leaderless, post-Endgame world.

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Brie Larson returns in mixed-bag sequel

It’s no secret these days that Marvel is going through something of a crisis behind the scenes, as they overhaul their approach to continuity-driven storytelling in their TV projects and struggle to lure audiences back to theaters in a leaderless, post-Endgame world. Being a giant machine with so many moving parts, course correction will undoubtedly impact Marvel Cinematic Universe projects for quite some time, but The Marvels feels like a very awkward start to the process. This is a shame, because here is some light, breezy fun that wants to be free from the pressures of blockbuster films. Though it has a crisp runtime of 105 minutes, surprisingly short for Marvel films, The Marvels is cut so much in the first act that it becomes a total mess. Even assuming you’re interested enough in the world to know the difference between a Skrull and a Kree, the amount of tech talk and proper nouns that fly by in a flash makes the film almost incomprehensible. And for those who don’t know the adult Monica Rambeau (Teyonah Parris) from WandaVision or Kamala Khan (Iman Vellani) from Ms. Marvel, this rumored Captain Marvel sequel might be a good idea.

Carol Danvers gets her powers entangled with those of Kamala Khan and Monica Rambeau, forcing them to work together to save the universe.

Brie Larson

Only when the film slows down and takes a breather do the details begin to make sense. These exposition sections are meant as startling revelations, but they come off like clumsy cliff notes with information that could have saved minutes of tedious confusion. But once the trio is gathered in one place, interacting, getting to know each other, acting like characters rather than pawns in a pre-determined game of checkers, Marvels finds its footing through the chemistry of its leads. Carol and Monica’s tension over Carol’s distance in the decades since the events of Captain Marvel laid the groundwork for a truly moving story of familial forgiveness. Iman Vellani remains a charismatic supernova as she fangirls over Kamala’s first mission with her biggest idol, but there’s also plenty of room to discover that heroism is more than just looking cool or saving the day. Nick Fury (Samuel L. Jackson) has some funny moments in a subplot where he spends time with Kamala’s family and everyone’s favorite cat alien/Flerken, Goose.

Through these character films, Marvel reminds people how to have fun. It can be as simple as a training montage where the team finds out how to use their intertwined powers in sync, or as conceptual and silly as a twist on a planet where everyone communicates through the medium of song. It can even be offline. On the wall is a scene of a flock of Flack kittens frolicking joyfully to exquisite musical accompaniment. These are moments that remind us that being together in this world is fun, and that in the world of comics, anything can happen with this group of personalities. Unfortunately, the plot needs to pick up again at some point, and while the third act isn’t quite as disjointed as the first, at this point it feels like Marvel’s fulfilling that obligation with sky portals and all. The light tone and antics are at their best when the momentary danger is low, and once the threat escalates to a cosmic scale the film descends into a cacophony of frenzy, inevitably filtering the climax through a language of cosmic consequences only to be dealt with later by another guardian of superpowers. It would help if Durven were more than just a theoretically interesting villain, but her motivations and goals are functional enough to give Carol a backstory of her time away from civilization that makes her more like a Wikipedia entry than an antagonist.

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