Netflix
Beef is the most daring programme Netflix has produced in years.
Amy (Ali Wong) and Danny (Steven Yeun) have beef. Their feud begins offevolved quite simply; one almost backs into the opposite in a hardware keep parking lot.
Beef is the most daring programme Netflix has produced in years.
Amy (Ali Wong) and Danny (Steven Yeun) have beef. Their feud begins offevolved quite simply; one almost backs into the opposite in a hardware keep parking lot. A horn is honked, and a bird is flipped. It’s the kind of aggressive 30-second exchange that happens every day, but for these two, it’s just the first furious chess move of many. Across ten episodes of the searingly intense new Netflix series Beef, the pair stomp around the fringes of one another’s lives, escalating the fight in increasingly elaborate and alarming ways. The result is a bizarre and often unnerving watch, but also a great one; Beef might be the most creatively audacious single season of TV Netflix has delivered since 2018’s Maniac.
The show, created by Lee Sung Jin (Tuca & Bertie, Undone), sets its two leads against each other from the start. Danny is a broke contractor struggling to get work from clients who are put off by his striving personality. He can’t seem to move through the world as he wants to, although he has an easy kinship with his younger brother Paul (Young Mazino) and sketchy cousin Isaac (David Choe).
This setup is critical due to the fact each component of Danny`s meager lifestyles and Amy`s lavish one finally ends up in jeopardy whilst the pair end up captivated with making each other pay. The darkly comedian series, at times, dances on the threshold of surreality way to the pair`s relentless, near-pathological want to undermine each other, however it`s now no longer only a Loony Tunes bit come to lifestyles. Danny and Amy each simmer with justified rage, plenty of it tied to their studies as Asian Americans in a international of white excess. White characters continuously reward Amy for her “zen” outlook on lifestyles, despite the fact that she seems seconds farfar from throwing a punch in any respect times. Race-primarily based totally expectancies form her persona, simply as they form Danny`s lifestyles as he tries to climb a social ladder that appears to have some rungs broken.
Beef is bold: at its heart, it explores rage from the perspective of two characters on different sides of the American dream. It doesn’t stop there, though. The show makes Danny and Amy into self-destructive yet complementary forces, driven by stubbornness, loneliness, and every icky emotion that TV execs probably tell creators they shouldn’t make shows around. Its revenge story, which takes place over an extended period and destabilizes everyone in the pair’s orbit, is darkly funny and shatteringly upsetting. In terms of viewing experiences that put a pit in your stomach, it’s reminiscent of Breaking Bad – each propulsive plot point hinges on the characters doing precisely what you wish they wouldn’t.
The display continuously takes massive swings, and one in all its largest is casting each its leads in opposition to type. Wong can be recognised first-rate for her comedic work, however right here reaches deep for a overall performance described through its quiet desperation and seething rage The result is stunningly compelling, as is Yeun’s turn as a wildly unlikeable man who would be furiously jealous of the charms of pretty much every other Yeun character. The show revels in the flaws of both characters, examining them in the light of day without a prescriptive narrative, and both actors deliver the rawness required and then some.
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