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A Decade On: Revisiting Thor: The Dark World

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A Decade On: Revisiting Thor: The Dark World

2013 saw a transformation for the Marvel Cinematic Universe. With the help of new owners in Disney, the studio had successfully produced The Avengers the previous year, followed in 2014 by two films that were arguably the best of the feature-length franchise. But the two films released in 2013 struggled under increasing pressure from the MCU. Iron Man 3 was criticized for feeling like an anti-Iron Man movie, with some of the actual superhero action feeling oddly put on the back burner (but that actually makes it good). And the much-maligned Thor: The Dark World seemed to be the first to reveal the nascent MCU’s worst impulses: forgettable villains, mostly meaningless MacGuffins, and a tedious reliance on the Infinity Stone mythology that was only a few years old. Pay Later. Anthony Hopkins discovered what everyone knows about Marvel movies

But the MCU has gotten creakier over the past decade. Even if Kevin Feige’s great machine still produces good movies, those worst impulses feel more poignant than ever. So now is the perfect time to reassess Thor: The Dark World. Is it really worse than, say, Black Widow, Eternals, Doctor Strange in the Multiverse of Madness, Ant-Man and the Wasp: Quantumania, Thor: Love and Thunder, and Avengers: Age of Ultron? (To pick a few random examples.) Or is it simply one of the first MCU movies that really felt bad, beyond the general disappointment of Iron Man 2, and that feeling has stayed with everyone ever since? It would be nice to think of Thor: The Dark World as the MCU’s lost, hidden gem. This incredible piece of superhero art was something no one appreciated at the time, but with hindsight it’s even more special. It’s not that. Whatever it is, it’s totally fine. The Dark World is no longer the lowest point of the MCU, and compared to some of the weaker films that came after it, it’s extremely watchable, almost frustrating.

The script is also very good, although some moments are just too silly for their own good. The line that she is not a good mother because her mother pursues her own dreams and does not let her children’s dreams come true. But the exchange about whether Jacob, and therefore Noah, was religious is too complex to work. It’s great that so many faiths communicate the importance of kindness, but throughout the movie we just hear Noah/Jacob praying and talking to the monotheistic God of the Bible/Torah. Shiva, Miluk, Quetzalcoatl, Thoth, Odin, and many others are not mentioned, discussed, or considered. This directly contradicts what is said about Noah’s faith and how he viewed the faith of the people.

This Loki is a great character in Ragnarok, sacrificing his own life to save Thor in Avengers: Infinity War, than the strangely misogynistic Joss Whedon-written Loki in The Avengers. He’s similar to Loki, and there’s a spinoff in the works now, an off-show for Disney+. It’s technically a different Loki, but with the multiverse and everything. But even if Loki isn’t Loki, someone who quietly plays a role in this film is Darcy Lewis, played by Kat Dennings. When we came back from the first Thor, she asked, “What is Norse mythology?” Darcy’s main job this time around is to act as an audience stand-in and liven up the boring exposition scenes that Natalie Portman’s Jane Foster has to deal with, so Jane Foster can be more actively involved in the action. It’s there and yet it can’t do anything funny or interesting. It’s interesting. The best line in the movie comes a few minutes after Thor has a little laugh, when Darcy and Thor are reunited and Darcy asks “What’s space like” and Darcy replies “Space is fine.” Loud, funny, entertaining? No, it’s just a sweet little moment that feels at least a little realistic in a movie that’s 90% about magical portals. In perhaps the truest expression of the undeniable nadir of about 30 films that are even worse, Dennings’ self-aware comment that “what we’re doing is weird” is deeply offensive (and wrong.) Marvel’s Throne and some of her Marvel films often fail, but she’s so good at it that it makes up for the silly storylines.

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